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Tone Clusters: the Joyce Carol Oates discussion group archive

Tuesday, September 14, 2004

JCO: New story: Spider Boy

Hi friends!
I can understand teenagers not liking tragic
stories. When I was younger, I couldn't accept stories
that didn't have a happy ending or at least some kind
of justice.
Spider Boy was good. The opening line about people
disappearing could apply to the boy, his mother,
and/or his father (the sister is shadowy). I don't
blame the mother too much. The father involved the boy
in his sins, and something had to give somewhere. I
thought the boy would become a monster too (whether he
does later is not known)--but he decides to bring the
shame out into the light. The mother had decided from
the beginning not to do so. She was trying to protect
her family. It worked for her, up to a point; it
didn't work for the boy.
The mother tried to revert to the past, which
didn't work (the boy--or JCO?--thinks the whole town
must know the truth on some level). The boy's past was
not in Nyack, and he doesn't feel safe or welcome
there, so he couldn't do the same.
The boy has grown out of the situation, in two
senses: outgrown and grown as a result of. Which is as
it should be for someone his age. And maybe the mother
was acting as she should have too. She was concerned
about her son, and perhaps glad that the truth had
come to light. At the same time, she naturally feels
angry and violated, and she wishes the boy had acted
differently.
An interesting variation on We are all guilty. And
how illusory and fragile families are?
Laurie

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laurie@betteredit.net

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